quarta-feira, 30 de dezembro de 2009


Quatro imprescindíveis álbuns de 2009 de que só agora tive conhecimento:
- The Life Of The World To Come By The Mountain Goats - um álbum de rock/punk/católico surpreendente;
- Toeachizown (CD Version) by m Funk - uma extraordinária homenagem ao funk dos anos 80;
- Boy Meets World by Fashawn - talvez o melhor álbum de hip-hop de 2009;
- Drift by Nosaj Thing - a contínua renovação do dub-step, mais uma vez, via LA.

segunda-feira, 14 de dezembro de 2009

Os meus albuns do ano.

The XX - XX

Friendly Fires - Why Are We Not Perfect

Taken By Trees - East Of Eden

Washed Out - Life of Leisure

Speech Debelle - Speech Therapy

Fight Like Apes - Fight Like Apes And The Mystery Of The Golden Medallion

The Joy Formidable

Memory Tapes - Seek Magic

The Virgins - The Virgins

Ilabel Presents Acoustic Chill - Compiled By Chris Coco - 23

Freerange Records Presents Colour Series: White 06

Discovery - LP

Porn Sword Tobacco - Everything Is Music To The Ear

The Phenomenal Handclap Band - The Phenomenal Handclap Band

Martyn - Great Lengths

White Lies - To Lose My Life

Florence And The Machine - Dog Days Are Over

Lady GaGa - The Fame

We Were Promised Jetpacks - These Four Walls

Jesu - Why Are We Not Perfect

Alix Perez - 1984

The Black Dog - Further Vexations

Thunderheist – Thunderheist

Bike For Three!- More Heart Than Brains

The Whitest Boy Alive - Rules

Miike Snow -Miike Snow

Cold Cave - Love Comes Close

The Pains of Being Pure at Heart - The Pains of Being Pure at Heart

The Big Pink - A brief history of love

The Crocodiles -Summer of Hate

The Raveonettes -In And Out Of Control

bRuna - And It Matters to Me to See You Smiling

Cosmic Balearic Beats Vol. 2

quinta-feira, 5 de novembro de 2009

A letra de Happiness de Jonathan Jeremiah

What you gonna do?
What you gonna do with people like that?
What you gonna say
What you gonna say that will make them change their minds

Woo you gonna find
Who you gonna find to listen anyway
Where you gonna go,
Where you gonna go to try and get it straight
I once found the recipe, for what to do to cure my needs
I packed some things just what I need
Only bare necessities
Asked Mrs Walsh to feed my cat
Calling Lord Tate to tell him that
I'm going home where my people live
Need a little bit of happiness, yeah

Who's it gonna be
Who's it gonna be who'll tell it like it is
Who you gonna blame
Who you gonna blame for all our differences
Where's it gonna end
Where's it gonna end if anywhere at all
Where you gonna go
Where you gonna go if you can't take it all?

I once found the recipe, for what to do to cure my needs
I packed some things just what I need
Only bare necessities
Asked Mrs Walsh to feed my cat
Calling Lord Tate to tell him that
I'm going home where my people live
Need a little bit of happiness, yeah

Write a little note and apologise
To the next door so they realise
Call up little Max and her sister Jean
Say sorry for inconveniencing
Order a cab, take it to, the bus station up on 42
I'm going home, where my people live
I need a little bit of happiness yeah
I need a little bit of happiness yeah
I need a little bit of happiness yeah
I need a little bit of happiness yeah

Talvez a melhor música do ano.

segunda-feira, 12 de outubro de 2009


Porque histórias de fadas não acontecem apenas no multiculturarismo britânico, no sábado, fui ver Seu Jorge no coliseu do Porto. Fiquei bastante admirado com a enchente. O som estava muito mal. Gostaria de ver Seu Jorge numa sala mais intimista.

Depois do espectáculo, fomos jantar. Passada uma hora, regressámos ao Coliseu para ir aos Maus hábitos (um bar em frente ao Coliseu). Tivemos a sorte de encontrar na rua o Seu Jorge quando estava a abandonar o local. Por graça, pedimos-lhe um autógrafo. O homem foi simpático, mas estava completamente esgotado.

terça-feira, 6 de outubro de 2009

Dois álbuns que merecem a minha atenção neste princípio de Outono:

The very Best - Warm Heart of Africa: quando um álbum de música africana é editado pela Moshi Moshi estamos perante um fenómeno ou mais uma história de fadas do multiculturalismo, britânico, claro:

Esau Mwamwaya was born in Mzuzu in Malawi, East Africa. He grew up in the capital, Lilongwe, where he played drums in various bands such as Masaka Band. He was a good friend of the legendary Evison Matafale and they played together for several years before he was killed in Malawi police custody in 2003. In 1999 Esau Mwamwaya moved to London, England ran a second-hand furniture shop in Clapton, East London until setpember 2008 when he returned to Malawi. Esau's shop was on the same street as Radioclit's old studio, and after the Radioclit boy's bought a bike from Esau they invited him to one of their house warming parties They made friends and started working on music together. Three years later and the project has gotten it's name The Very Best. The Album 'Warm heart Of Africa' is out worldwide now.


The Raveonettes - In And Out Of Control : mais um excelente álbum para este casal dinamarquês, uma das melhores bandas de rock da actualidade.

terça-feira, 29 de setembro de 2009


Foi na 6 mix do Dr' Alex Paterson, dos the Orb, que ouvi, pela primeira vez, a obra-prima de Carl Craig & Moritz Von Oswald - Recomposed Vol. 3 - editada pela Deutsche Grammophon. Provavelmente, o melhor disco de 2008.

Carl Graig é, sem dúvida, um dos músicos mais influentes do Sex XXI, ao lado de Brian Eno, por exemplo. Infelizmente, em Portugal é, simplesmente, desconsiderado como tal.

sexta-feira, 25 de setembro de 2009

Playlist Outono 2009
Autumn Leaves (Irresistible Force Mix Trip 2) Coldcut
Harry Patch (In Memory Of) Radiohead
Here It Begins Sweet Billy Pilgrim
VCR The xx
Island, IS Volcano Choir
All or Nothing Au Revoir Simone
Hands In The Dark Chromatics
Swinging Party Kindness
Suffragette Suffragette Everything Everything
Sleepyhead (Starsmith Remix Feat. Ellie Goulding) Passion Pit
Blade Runner Blues (Zev's Rework) Vangelis
Solitaire John Daly
Michael Went To Heaven - Original Mix Soul Clap, Sergio Santos
Deep Burnt Pepe Bradock
Digital I Keep Secrets Le Loup
Never Gonna Reach Me (Hot Toddy mix) Crazy P
Woo Boost Rusko
Believe Me Blu Mar Ten
Dominos The Big Pink
Dead Disco Dancer O Children
Dance The Way I feel Ou Est Le Swimming Pool
This Momentary Delphic
Jetstream (Jacques Lu Cont Remix / 2nd Mix) New Order
Save a Life Tape the Radio
Bicycle Memory Tapes
Damaged Goods Gang of Four
Love Is a Number White Rose Movement
Just Two Girls The Vivians
Plaster Casts of Everything Liars
I Wanna Kill Crocodiles
The Rat The Walkmen
Morning Light Gliss

terça-feira, 22 de setembro de 2009


Um pouco por todo o lado, comemoram-se os vinte anos do Do The Rigth Thing de Spike Lee. O filme que Baraka Obama e a sua futura esposa foram ver no seu first date. Eu acho que fui sozinho. E vocês?

quinta-feira, 10 de setembro de 2009


Todos os anos a cena repete-se: os Mercury Awards são a prova da incompetência do jornalismo musical português. Felicidades para Specch Debelle.

quarta-feira, 26 de agosto de 2009

Uma festa......Segundas na BBC 2 às 20.30.

Mas pensem só nas diferenças, ao nível de programação e produção, entre isto e o tipo de São Tomé.
Em Portugal, de facto, não sabem aproveitar o que têm. É pena.
Levi Roots não teve medo ou vergonha e em 2007 foi ao Dragon's Dean pedir dinheiro para comercializar o seu molho - uma velha receita familiar- regaee ( Reggae Reggae Sauce). Teve sorte, dois júris gostaram, e ele saiu de lá com 25.000 libras em troca de 20% do negócio. Poucas semanas depois, o molho estava à venda em 600 lojas Sainsbury's.
Depois de editar livros sobre a cozinha das caraíbas, finalmente, tem o seu programa de televisão.....
É isto que faz falta ao bloco de esquerda: pessoas com projectos realizados no terreno. Já estou farto de professores universitários e dos filhos deles......

Levi Roots na BBC 2. Isto é o multiculturarismo......

sexta-feira, 21 de agosto de 2009

Essencias de Agosto


Dois primeiros álbuns fantásticos apareceram em Agosto. Ambos protagonizados por casais.
The XX's - The XX's : De londres, Rock/pop com muita melodia e bom gosto. Essencial para o inverno. Bastaria dizer que eles fizeram uma cover de Teardrops dos womak & womack .
Thunderheist - Thunderheist. São de toronto. É festa pura com muito funk.

Thunderheist

thunderheist - jerk it from thatgo on Vimeo.

The XX

terça-feira, 11 de agosto de 2009

The Stone Roses dos The Stone Roses : o melhor primeiro album de sempre?


Sem dúvida. Assim, de repente, à altura, só me lembro de: The Stone Roses -The Stone Roses - 1989 (Silvertone) De La Soul - 3 Feet High And Rising - 1989 (Tommy Boy) Robert Owens - Rhythms In Me - 1990 (4th & Broadway) Electribe 101 - Electribal Memories - 1990 (Mercury)

segunda-feira, 3 de agosto de 2009

El buscador de historias. telecinco. Espanha

Este fim-de-semana, na televisão, o El Buscador foi o meu programa preferido. Trata-se de um programa de informação à espanhola : programa de reportajes de investigación, de servicio público y de corte social. O que me surpreendeu neste programa foi o tom gozão e divertido das reportagens. Ao contrário do que eu pensava, em Espanha, este género de famosos são vistos como figuras ridículas e estúpidas que merecem um tratamento à sua altura. Em suma não passam de personagens de entretimento.

quinta-feira, 30 de julho de 2009

segunda-feira, 27 de julho de 2009


Para mim é sem duvida um dos álbuns do ano. É de Nova York. É funk, soul, pop é psicadélico é fabuloso.
http://www.myspace.com/phenomenalhandclap :
phenomenalhandclapband.com

The Phenomenal Handclap Band - The Phenomenal Handclap Band

The album begins with the meditative strains of the epic "Journey to Serra da Estrela" which erupts into a driving synthesized force, and foreshadows the arrival of "Testimony", in which Jaleel Bunton (TV on the Radio) provides a fiery psychedelic guitar backdrop for Aurelio Valle's (Calla) voodoo incantations. Carol C (Sí Se) lends her considerable vocal talents to the forthcoming single "You'll Disappear", a cosmic disco floor-filler that sets the stage for The Lady Tigra's (L'Trimm) jump-rope rhymes on the soon-to-be classic summer jam, "15 to 20".

Live, The Phenomenal Handclap Band is distilled to an eight-member powerhouse, an eye-popping spectacle that overwhelms the senses. It pulses with a savage rhythm section that provides the ultimate foil for cascading guitars and electrified washes of organ and synthesizers. Their delirious sermonizing whips crowds into a charismatic frenzy. Needless to say, their live shows are more akin to a spiritual church revival than an actual rock show.

Reviews:

'With an old-school Sly & The Family Stone funky shuffle multiplied by a Tom Tom Club New Yoik sass, you don't need to do any maths to know this is ace!' - NME

'With their multitudinous influences, blending funk, soul, reggae, dance, hip-hop and Brazilian beat, as well as rock, disco and electro, they encapsulate the spirit of the Brooklyn underground.' - The Sunday Times Culture

'This New York collective puts the five-times table to work over playground funk that splits the difference between the Tom Tom Club, CSS and the Go! Team.' - Guardian

'This collaboration between two NY DJs and a revolving group of members (including some from TV on The Radio and Mooney Suzuki) defies categorization, making it the perfect soundtrack for a Sunday afternoon barbeque, or a Monday morning wake-up call.' – ESQUIRE

domingo, 19 de julho de 2009

A resposta ao Pacheco Pereira. Ou porque é que o seu programa é mau.

A teoria oh dear!. Adam Curtis explica no programa do Charlie Brooker

quarta-feira, 8 de julho de 2009

Vi na BBC 4 Adorei


http://www.leemiller.co.uk/main.aspx

Glamorous, talented and decidedly unconventional, Lee Miller led one of the most fascinating lives of the 20th century. A model for Vogue in 1920s New York, pupil and lover of Man Ray in Paris and the only female photojournalist covering the Second World War, her photographic work encompassed striking surrealist images and shocking reportage from Dachau. Having given up photography in later life and virtually disowned her work, Miller's extraordinary archive of 40,000 negatives was only rediscovered after her death in 1977.

George Melly, David Hare, Miller's friends and colleagues and her son Tony Penrose trace the story of her life through her own pictures, photographs of Miller herself and rarely-seen archive footage.

Director Sarah: Aspinall - Producer: Andrew Lockyer

terça-feira, 23 de junho de 2009

Isto sim é um festival.


Line Up para sábado (Apenas)

Pyramid Stage:
Neil Young
The Specials
Lily Allen
N*E*R*D
Fleet Foxes
Special Guests
Regina Spektor
Gabrielle Cilmi
Björn Again

Other Stage:
Bloc Party
The Ting Tings
Lady GaGa
Friendly Fires
White Lies
The View
The Maccabees
The Rakes
The Whip
Mr Hudson

John Peel Stage:
Doves
Jamie T
Jack Penate
Little Boots
Metronomy
VV Brown
The Virgins
Fucked Up
Rumble Strips
Dan Black
General Fiasco

Jazz/World Stage
:
Q Tip
The Streets
Steel Pulse
Lamb
Hot 8 Brass Band
Stephanie Mckay
Speed Caravan
The Perceptions

Acoustic Stage:
Ray Davies
Fairport Convention
Jason Mraz
Scott Matthews
No Crows
Hugh Cornwell
Ben Taylor
Sean Taylor
Alyssa Bonagura
John Smith

The Park Stage

Animal Collective
The Horrors
Noah And The Whale
Special Guests
Emiliana Torrini
Special Guests
James Hunter
Golden Silvers
Bishi
Lay Low

Queen's Head Stage
:
Glitterati feat The Flying Goffey Brothers
Jason Mraz
The Big Pink
The Rakes
Rumble Strips
The Virgins
Dan Le Sac Vs Scoobius Pip
Tommy Sparks
The Low Anthem
Team Waterpolo
Hope And Social
Dead Like Harry
Yr Ods
City Stereo
The Mojo Fins
Maura Kincaid
The Slips
Sub Universe

East Dance
David Guetta
Freeland Live
Layo and Bushwacka!
Easy Star All-Stars
Iration Steppas ft Mark Iration
Dreadzone
Tom Middleton
The Egg
Paul Woolford
Pama International

West Dance
Erol Alkan
Crookers
The Whip
Annie Mac
Skream And Benga
WhoMadeWho
Joe Goddard (Hot Chip)
Filthy Dukes
DeepGroove
Nathan Detroit

Dance Lounge

The Nextmen featuring Yungun
Chip Munk
Mystro
Crazy P
Leeroy Thornhill (X Prodigy)
Mathew Jonson (Cobblestone Jazz)
Amanda Blank
Circlesquare
Hypnotic Brass Ensemble
Jalapeno Sound System feat. Smoove & Turrell
Burn the Negative
Outlaws

G Stage

SLAM
Ben Sims
Billy Nasty
Jim Masters
Giorgio Gatti Vs Edoardo Marvaso
Geezer
Ans
Dhr Robijn
The Cosmonauts

Pussy Parlure

Salsa Club featuring The Elephants
Swap-A-Rama Razzmattazz
Peyoti For Presidents
Astroboy
Speech Debelle and The Therapist
Salsa Class
Vladimir Steamboat
Jodie Harsh
Will Vegas
Salsa Class
Randy & Earls Old Record Club

Silent Disco
Novak 3D Disco
Urban Knights
Quiver
DeepGroove
Silent Disco's DJ

Avalon Stage:
The Blockheads
British Sea Power
Orkestra Del Sol
Michael McGoldrick, Iain Fletcher and Andy Dinan
The Puppini Sisters
3 Daft Monkeys
Baskery
The Mandibles

The Glade:
Timo Maas
Tom Real
Beardyman with The Bays
James Monro
Banco de Gaia
Pathaan
Outmode
Red Snapper
Mum Suleiman
Clive Craske
Johnny Mars

Croissant Neuf
The Communicators
The Destroyers
The Travelling Band
Steve Knightley
Paolo Nutini
The Boat Band
King G Mall & The Dhol Blasters

Club Dada
DJ Head Gardener
Warlords Of Pez
Blackberry Wood
The Dynamics
Suprise Superstar Guest
The Delegators
DJ Head Gardener
Dj Tall Will
Lazy Habits
Bobby Mcghees
Ruth Theodore
The Long Notes
Katy Carr
Run

The Rabbit Hole
Secret Open Mic...til 6am
Dogshow
Dubblehead
The Mike Strutter Band
Open Mic
Jamie Burke
Open Mic
The Rusticles
Evi Vine

Bryony Fry
Aimee Ballinger
James Watson
Open Mic
Hamish Guerrini and Brothers

Guardian Lounge
The Maccabees
DJ - Crazy P DJ or Bonar 2020
Crazy P
DJ – Bonar
Little Boots
DJ - Horsemeat Disco
Ebony Bones
DJ - The Unabombers
Slow Club
DJ – Thecocknbull Kid
Bombay Bicycle Club
DJ – Michael Cook
The Memory Band
DJ – Michael Cook


The Bandstand
Rhythmites
Tragic Roundabout
The Cedar
Malarchy
Vladimir Steamboat
Lunaloop
Biggles Wartime Band
The Kays
The Gents
Little Musgraves
Master Duncan's Poetry Hour (Not)
Will Scott & Jan Bell
Ash Mandrake
Mike Harper

Stonebridge Bar
Four Tet
Little Boots (DJ set)
Tas Elias
Dadrock
Bullion
Hip Hop Karaoke
Justin Steele
The Endeacott Family


Arcadia
Disco Of Doom
Hybrid (DJ)
Subsource
Circus Show
Lee Mortimer (DJ)
Freefall Collective
Circus Show
Tristan (DJ)
Blackout
Dreadzone (DJ)
Baby Head
Dub FX


BBC Introduding
Engine-Earz
KOF
Colorama
Louise Golbey
Two Door Cinema Club
Sparrow and the Workshop
Cashier No.9
T
he Heroes
Man Like Me
The Molotovs

segunda-feira, 22 de junho de 2009


É um sério candidato a disco do ano. Uma espécie de Vampire week-end em R&B.
Vai ser giro ver os pseudo portugueses a reverem a sua atitude (parola e racista) para com o R&B.
Para saber mais siga http://www.dscvry.net/
Fica aqui a tracklist: A versão dos Jackson's Five é genial.....
01 Orange Shirt
02 Osaka Loop Line
03 Can You Discover?
04 I Wanna Be Your Boyfriend [ft. Angel Deradoorian]
05 So Insane
06 Swing Tree
07 Carby [ft. Ezra Koenig]
08 I Want You Back
09 It's Not My Fault (It's My Fault)
10 Slang Tang

quarta-feira, 17 de junho de 2009

O Hino deste verão



A Letra
Today could be the day you might make a change
Lock yourself indoors and plan a getaway
Take a walk outside in the heavy weather
The British summertime's just great, whatever
Join a local gang and get a cool nickname
Make your lifelong sweetheart your ball and chain
Convert your self-belief for a new religion
Or leave the TV on and make a decision when you're

Waiting for the day you're not looking for something else

Go put your last five pounds on the lottery
If you're not in it to win it, well, then you won't receive
Then maybe place all your winning on an outsider
And if it wins you'll be grinning and you can celebrate
Six months of our lives are at a red light
And there's a thousand chances to get it right
So put your in the door because it's free admission
Or leave the TV on and make a decision when you're

Waiting for the day you're not looking for something else

Break away your ties and find a new squeeze
Show a local scheme your generosity
Stand back in the shadows and be a right-hand man
Buy a brand new semi next door to the Taliban
Who knows what's around the bend
Stay up, get drunk with all your best friends
Celebrate your side to a new division
Or leave the TV on, make your own decisions
Waiting for the day you're not looking for something else

Don't let your day grow long before it comes a week
Go and make a change before the big sleep

sexta-feira, 12 de junho de 2009

Pelo que eu vi naquele programa das Sete Maravilhas de Origem Portuguesa no Mundo o nosso desígnio nacional foi semear igrejas pelos cinco cantos da terra. Tivéssemos optado por escolas e hoje éramos, provavelmente, mais felizes e menos odiados.

segunda-feira, 8 de junho de 2009

Por que é que eu nunca vou votar no bloco?

A resposta é Shaum Bailey.

Could Shaun Bailey represent the re-birth of the Tory party? By HARRIET SERGEANT

Last week I witnessed an event that I believe will transform this country and theConservative Party, and put an end to the ideology that has dominated Britain to its detriment over the past ten years.

It took place in the unlikely setting of the Polish Centre in Hammersmith, West London. There, residents had gathered in a small theatre to vote for an MP in the new Conservative open primaries taking place around the country.

They did not look like an audience to instigate revolution. From where I sat in the balcony above, the majority appeared to be over 50 years old. All were white. Yet out of four strong candidates, they chose the most unlikely.

Shaun Bailey is a 35-year-old, powerfully built, black man, brought up by a single mother on the notorious North Kensington estates. Most of the audience, I sensed, would normally cross the road for fear of men like Shaun Bailey. Indeed, the only other black man in the building was the doorman.

Yet this largely middle-class, white audience enthusiastically voted Shaun as their representative to fight to unseat the local Labour MP at the next general election.

This was not just a vote for multicultural UK - welcome as that is. It was a vote for fundamental change both in the Conservative Party and in the country at large.

The audience chose a man who stands for everything that focus groups tell the Conservative leadership lost them the last election. Shaun Bailey believes in marriage, education, self-reliance and the control of immigration. He is against liberalising the drugs laws. He is against liberalism, full stop.

Change

As a youth worker, he deals every day with the damage liberalism has caused.

When accused of being Rightwing by the audience, he replied: 'To a young person like myself, Left and Right-wing are old terms. If to believe deeply in the importance of education and standing on your own two feet is Right-wing, then I am not ashamed to say it... I am Rightwing.'

His background, his work and his conviction gives his beliefs a unique authority. He is important to the party because he gives the Conservatives back the courage to be Conservative. It is a courage the present Tory leadership appear to have mislaid.

Instead, they have been obsessed with focus groups who have warned them that the greatest threat to the party is the defection of voters to the Lib Dems. Hence the slew of ecofriendly, liberal policy announcements that have been designed to appeal to that narrow band of the population who read the Guardian and the Independent.

The audience at the Hammersmith selection vote demonstraasted that they have a rather more important set of priorities - and in so doing performed a feat of political imagination that has eluded the Conservative leadership.

Hammersmith Conservatives are fighting a marginal seat which has both the fourth highest property prices in the country and, at the other extreme, a third of its population earning less than £10,000 a year.

They understood that to survive, let alone regain power, the Conservative Party has to strike out into the unknown.

So, in a close and exciting runoff between Shaun and the candidate I thought bound to win - a well-spoken and impressive young, blond, banker - the audience chose Shaun.

The party needs to find new voters. Shaun promises to deliver them. He said: 'I tell people on the estates: "You might not have heard of the Conservative Party. You might never have voted in an election before. But come the General Election, you will be voting Conservative.'

He and the Hammersmith Conservatives who voted for him have understood the importance of an entirely new source of votes - our fast-growing immigrant communities.

Many of these communities - with their belief in hard work, discipline in schools and the importance of the family - are natural Conservative voters. But several different leaders of immigrant communities have complained to me, the Conservative Party largely ignores them.

At the moment, the present Conservative leadership are making the mistake of fighting the next election with the tactics that won Labour the last one.

So we have a lookalike Blair leader, lookalike Blair policies and shadow ministers who treat Labour poll guru Lord Gould's book on Blair's victory in '97, The Unfinished Revolution, as their bible.

Confidence

It is a pity. An appeal to immigrant communities would allow the Conservative leadership to take pride in traditional Conservative values, rather than be ashamed of them. It would let them retain, rather than alienate, core voters and discover votes in places never reached by Conservatives before.

In other words, it would allow David Cameron to repeat the success of Margaret Thatcher when she sold off council houses and won over crucial new voters to the Conservative Party in the early 1980s.

Shaun Bailey, with his common sense, his ability to appeal to a wide electorate and his confidence, I believe is the 21stcentury face of Thatcherism.

All this is a bit far ahead for the Hammersmith Conservatives. Here and now they just want to win the seat.

As Mark Loveday, deputy chairman of the local Conservatives, said: 'We are looking for a fighter. If we win seats like this, we will probably put David Cameron into government.'

Yet the election of Shaun Bailey promises more than that - it could transform politics in this country by dispelling the prevailing liberal consensus.

He lays bare the myth that a vote for the Labour Party is a vote for the vulnerable and excluded in society. In fact, the liberal ideology so promoted by this government has hit these groups the hardest.

As Shaun remarked: 'The more liberal we've been, the more the poor have suffered. Poor people don't need all this liberalism. They need direction.'

Liberal views on drugs, discipline in schools and the family may appeal to the bien pensants of Islington. But for the poor on the estates where Shaun works, the consequences have been dire, with young boys sinking into a lifetime of crime and addiction.

Direction

The selection of Shaun Bailey also dispels the notion the Conservatives are the 'nasty party', with closet racist tendencies.

Looking directly at the former Labour mayor and leader of the council who was seated in the hall (in a curious quirk of these primaries, they are allowed to attend and vote), Shaun said: 'Vote for me because if I win, I am their very worst nightmare. There is nothing they can say against me.'

Indeed, all the contenders at the Hammersmith vote were refreshingly unexpected.

Two were women, one a lawyer of mixed-race who had started her own legal firm, the other, from a gipsy family of six children, had read law at Oxford. All three losers would have been an asset to Westminster.

And for all my criticism of them, it was the Conservative leadership who made the election of Shaun Bailey possible, by introducing these 'open primaries' whereby candidates are whittled down to a final selection of four by the local Tory party members.

These finalists then attend a public meeting where anyone on the local electoral roll is entitled to quiz the contenders, and vote for their preferred candidate. It may seem a high-risk strategy, but it works.

In the bar afterwards, most of the audience appeared utterly exhilarated by what they had witnessed, as was I.

Yes, it was only one constituency. But this was not just about the selection of a new parliamentary candidate. It signified the rebirth of the Tory grass roots - and changed the political landscape for the better.


E assim se ganham eleições,

quinta-feira, 4 de junho de 2009


Para que conste: se, algum dia, eu morrer num acidente de avião quero que os meus amigos e familiares digam aos jornalistas que eu era apenas uma pessoa banal.

Se calhar, em vez de andarem à procura das vítimas do voo AF 447 da Air France debaixo de água deveriam procura-los no céu. Porque parece que só iam anjos a bordo. 

quinta-feira, 28 de maio de 2009


Agora que Lewis Hamilton anda arredado dos lugares de topo da Formula 1, paradoxalmente, fica provado que ele é um grande piloto e o principal responsável pela animação que a competição conheceu nos dois últimos anos. Infelizmente, os homens de fato parecem decididos a acabar com a festa. 
Quando Lewis Hamilton, não comete erros infantis ou o carro está competitivo (à chuva ) a prova ganha outro interesse e é imprevisível. O estilo de Hamilton é diferente, é mais agressivo e por isso mais espectacular. A prová-lo está o estado dos pneus do seu Maclarem que por vezes não aguentam. Esperamos que ele volte, com um carro competitivo, porque a prova começa a ficar aborrecida. 

sexta-feira, 22 de maio de 2009

Fotos@quebra

Aqui estão as fotos (obrigado C) da nossa exibição no Quebra. Nada de especial. Nada de anormal.Engraçado

sexta-feira, 15 de maio de 2009

Os meus álbuns essenciais do mês de Maio:




Esser - Braveface –
Londres continua a ser a mais cosmopolita das cidades. Esser é branco, mas parece um preto a passar por branco. A sua música é soul, punk, regaae, ska, rock, funk. Essencial.

The Black Dog – Further Vexations –
Um álbum que responde à questão: o house tem futuro? A resposta de Ken Downie é: sim quando a referência é o inesgotável som de Chicago e Detroit com as experiências de vida cosmopolitas de um viajante.

The Crocodiles – The Crocodiles –
Estes americanos, muito influenciados pelo som psicadélico britânico dos anos 80, arrasaram o SXSW. Provavelmente, o melhor festival de música, e não só, do mundo.

Martyn - Great Lengths –
Excelente álbum deste produtor holandês a residir em washigton.Aqui são apontadas muitas saídas para que o Dubstep se liberte do ghetto.

Em todos estes álbuns a chave para a sua interpretação é o cosmopolitismo. Contudo, fica-se com a sensação de que a palavra já nada significa. Resta-nos a viagem…..